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Showing posts sorted by relevance for query omer simeon. Sort by date Show all posts

Walter Barnes' Royal Creolians / The Rhythm Aces - Brunswick 4244 (1928 / 1929)

Here is Walter Barnes' Royal Creolians second release...their first can be heard here

Walter Barnes ts, dir / Cicero Thomas, George Thigpen t / Ed Burke, William 'Bullet' Bradley tb / Irby Gage, Wilson Underwood cl, ss / Lucius Wilson ts / Paul Johnson p / Plunker Hall bj / Louis Thompson bb / Billy Winston d.

Recorded in Chicago on December 24, 1928.



From wikipedia...

Jabbo Smith, born as Cladys Smith (December 24, 1908 – January 16, 1991) was a United States jazz musician, known for his hot virtuoso playing on the trumpet.

Smith was born in Pembroke, Georgia. At the age of 6 he went into the Jenkins Orphanage in Charleston, South Carolina where he learned trumpet and trombone, and by age 10 was touring with the Jenkins Band. At age 16 he left the Orphanage to become a professional musician, at first playing in bands in Philadelphia, Pennsylvania and Atlantic City, New Jersey before making his base in Manhattan, New York City from about 1925 through 1928, where he made the first of his well regarded recordings.

In 1928 he toured with James P. Johnson's Orchestra when their show broke up in Chicago, Illinois, where Smith stayed for a few years. His series of 20 recordings for Brunswick Records in 1929 are his most famous (19 were issued), and Smith was billed as a rival to Louis Armstrong. Unfortunately, most of these records didn't sell well enough for Brunswick to extend his contract.

In March 1935 in Chicago, Smith was featured in a recording session produced by Helen Oakley under the name of Charles LaVere & His Chicagoans, which included a vocal by both Smith and LaVere on LaVere's composition and arrangement of Boogaboo Blues. It is an early example of inter-racial blues recordings, although far from the first as such had been made at least since c. 1921.

In the 1930s, Smith moved to Milwaukee, Wisconsin which would be his main base for many years, alternating with returns to New York. In Milwaukee he collaborated with saxophonist Bill Johnson. Subsequently, Smith dropped out of the public eye, playing music part-time in Milwaukee with a regular job at an automobile hire company.

Jabbo Smith made a comeback starting in the late 1960s. Many young musicians, fans, and record collectors were surprised to learn that the star of those great 1920s recordings was still alive. Smith successfully played with bands and shows in New York, New Orleans, Louisiana, London, and France through the 1970s and into the 1980s.

Jabbo Smith t / Omer Simeon cl / Cassino Simpson, another p / Ikey Robinson bj.

Recorded in Chicago on January 29, 1929.

Piron's New Orleans Orchestra - Victor 19233 (1923)

From wikipedia...

Lorenzo Tio Jr. (1893–1933) was a master clarinetist from New Orleans, as were his father Lorenzo Tio Sr. (1867–1908) and uncle Louis "Papa" Tio (1862–1922). Their method of playing the instrument (which involved the Albert system, a double-lip embouchure and soft reeds) was seminal in the development of the jazz solo.

The three Tios helped bring classical music theory to the ragtime, blues and jazz musicians of New Orleans; Lorenzo Jr. eventually played jazz himself. Lorenzo Sr. taught "Big Eye" Louis Nelson Delisle. Many reed players significant in early jazz studied with Lorenzo Tio Jr., including Sidney Bechet, Barney Bigard, Johnny Dodds, Omer Simeon, Louis Cottrell, Jr., Jimmie Noone and Albert Nicholas.

Lorenzo Tio Jr. also played oboe. He joined Manuel Perez's band in Chicago in 1916 and Armand J. Piron's from 1918 to 1928, and recorded with Piron, Bechet, Jelly Roll Morton and Clarence Williams.

Armand J. Piron vn, dir / Peter Bocage t / John Lindsay tb / Lorenzo Tio, Jr. cl, ts / Louis Warnecke as / Steve Lewis p / Charles Bocage bj / Bob Ysaguirre bb / Louis Cottrell d.

Recorded in New York on December 11, 1923.



Kid Ory's Creole Jazz Band - Crescent 5/7 (1945)

Continuing with the Dixieland theme.

Mutt Carey t / Kid Ory tb / Omer Simeon cl / Buster Wilson p / Bud Scott g, v / Ed Garland b / Minor Hall d.

Recorded in August 1945.





Jelly Roll Morton & His Red Hot Peppers - Bluebird 6601 (1928)



Jelly Roll Morton p, dir / Ed Anderson, Edwin Swayzee t / William Cato tb / Russell Procope cl / Paul Barnes ss / Joe Garland ts / Lee Blair g / Bass Moore bb / Manzie Johnson d.

Recorded at the 46th Street studio in New York on December 6, 1928.


Jelly Roll Morton p, dir / Ward Pinkett t / Geechie Fields tb / Omer Simeon cl / Lee Blair bj / Bill Benford bb / Tommy Benford d.

Recorded at Liederkranz Hall in New York on June 11, 1928.

Jelly Roll Morton - Victor 21064 (1927)

Excerpted from wikipedia...

Morton returned to Chicago in 1923 to claim authorship of his recently published rag, "The Wolverines", which had become a hit as "Wolverine Blues" in the Windy City. He released the first of his commercial recordings, first as piano rolls, then on record, both as a piano soloist and with various jazz bands.

In 1926, Morton succeeded in getting a contract to record for the largest and most prestigious company in the United States, Victor. This gave him a chance to bring a well-rehearsed band to play his arrangements in Victor's Chicago recording studios. These recordings by Jelly Roll Morton & His Red Hot Peppers are regarded as classics of 1920s jazz. The Red Hot Peppers featured such other New Orleans jazz luminaries as Kid Ory, Omer Simeon, George Mitchell, Johnny St. Cyr, Barney Bigard, Johnny Dodds, Baby Dodds, and Andrew Hilaire. Jelly Roll Morton & His Red Hot Peppers were one of the first acts booked on tours by MCA.

Jelly Roll Morton p / Johnny Dodds cl / Baby Dodds d.

Recorded at Oak Street Studio in Chicago on June 10, 1927.



Jelly Roll Morton's Red Hot Peppers Dance Orchestra - Victor 38010 (1928)

Jelly Roll Morton p, dir / Ward Pinkett t / Geechie Fields tb / Omer Simeon cl / Lee Blair bj / Bill Benford bb / Tommy Benford d.

Recorded in New York on June 11, 1928.


Jimmie Lunceford & His Orchestra - Majestic 1122 (1947)

We had Jimmie Lunceford's first record (here) and now we have his last.

This was the last record he made before he passed away two months later on July 12, 1947.

Jimmie Lunceford dir / Reunald Jones, Joe Wilder, Bob Mitchell, Russell Green t / Russell Bowles, Al Grey, Al Cobbs tb / Omer Simeon as, cl / Kirkland Bradford as / Joe Thomas ts, v / Lee Howard ts / Earl Carruthers bar / Edwin Wilcox p / Al Norris g / Truck Parham b / Joe Marshall d.

Recorded in New York in May, 1947.



Jelly-Roll Morton's Hot Red Peppers Dance Orchestra - Victor 38024 (1928)

Jelly-Roll Morton p, dir / Ward Pinkett t / Geechie Fields tb / Omer Simeon cl / Lee Blair bj / Bill Benford bb / Tommy Benford d.

Recorded in New York on June 11, 1928.


Jelly Roll Morton's Red Hot Peppers / Tiny Parham & His Musicians - Bluebird 6031 (1928/29)

Jelly Roll Morton p, dir / Ward Pinkett t / Geechie Fields tb / Omer Simeon cl / Lee Blair bj / Bill Benford bb / Tommy Benford d.

Recorded at Liederkranz Hall, New York on June 11, 1928.


Tiny Parham p, dir / Roy Hobson c / Charles Lawson tb / Charles Johnson cl, as / Mike McKendrick bj / Quinn Wilson bb / Ernie Marrero d.

Recorded in Chicago on February 1, 1929.


Jelly-Roll Morton's Red Hot Peppers - Victor 20252 (1926)

Jelly Roll Morton p, v, dir / George Mitchell c / Kid Ory tb / Omer Simeon, Barney Bigard, Darnell Howard cl / Johnny St. Cyr bj, v / John Lindsay sb / Andrew Hillaire d / Marty Bloom sound effects.

Recorded at the Webster Hotel in Chicago on September 21, 1926.


King Oliver & His Dixie Syncopators - Brunswick 3998 (1927)

Excerpted from wikipedia...

The Great Depression brought hardship to Oliver. He lost his life savings to a collapsed bank in Chicago, and he struggled to keep his band together through a series of hand-to-mouth gigs until the group broke up and Oliver was stranded in Savannah, Georgia, where he worked as a janitor at Wimberly's Recreation Hall (526-528 West Broad Street). Oliver died in poverty at a rooming house (508 Montgomery Street), on April 10, 1938. He was buried in Woodlawn Cemetery in the Bronx, NY, where he would be joined by other jazz giants such as Coleman Hawkins, Lionel Hampton, W. C. Handy, Milt Jackson, Max Roach, and Miles Davis, among others, all of whom owe a great debt to "Papa Joe."

King Oliver, Thomas "Tick" Gray c / Kid Ory tb / Omer Simeon cl, ss, as / Paul Barnes cl, as / Barney Bigard cl, ts / Luis Russell p / Junie Cobb bj / Lawson Buford bb / Paul Barbarin d.

Recorded in Chicago on April 22, 1927.