Henry James "Red" Allen was born in the Algiers
neighborhood of New Orleans, Louisiana, the son of bandleader Henry Allen. He
took early trumpet lessons from Peter Bocage and Manuel Manetta.
Allen's career began in Sidney Desvigne's Southern
Syncopators. He was playing professionally by 1924 with the Excelsior Brass
Band and the jazz dance bands of Sam Morgan, George Lewis and John Casimir.
After playing on riverboats on the Mississippi River he went to Chicago in 1927
to join King Oliver's band. Around this time he made recordings on the side in
the band of Clarence Williams. After returning briefly to New Orleans, where he
worked with the bands of Fate Marable and Fats Pichon, he was offered a
recording contract with Victor Records and returned to New York City, where he
also joined the Luis Russell band, which was later fronted by Louis Armstrong
in the late 1930s.
In 1929 Allen joined Luis Russell's Orchestra where he was a
featured soloist until 1932. Allen took part in recording sessions that year
organized by Eddie Condon, some of which featured Fats Waller and/or Tommy
Dorsey. He also made a series of recordings in late 1931 with Don Redman, and
in 1933 he joined Fletcher Henderson's Orchestra where he stayed until 1934. He
played with Lucky Millinder's Mills Blue Rhythm Band from 1934 to 1937, when he
returned to Luis Russell for three more years by the time Russell's orchestra
was fronted by Louis Armstrong. Allen very seldom received any solo space on
recordings with Armstrong, but was prominently featured at the band's personal
appearances, even getting billing as a featured attraction.
As a bandleader, Allen recorded for Victor from 1929 through
1930. He made a series of recordings as co-leader with Coleman Hawkins in 1933
for ARC (Banner, Melotone, Oriole, Perfect, Romeo, etc.) and continued on as an
ARC recording artist through 1935, when he was moved over to ARC's Vocalion
label for a popular series of swing records from 1935 through late 1937. A
number of these were quite popular at the time. He did a solitary session for
Decca in 1940 and two sessions for OKeh in 1941. After World War II, he
recorded for Brunswick in 1944, Victor in 1946, and Apollo in 1947.
Allen continued making many recordings under his own name,
as well as recording with Fats Waller and Jelly Roll Morton, and accompanying
such vocalists as Victoria Spivey and Billie Holiday. After a short stint with
Benny Goodman, Allen started leading his own band at The Famous Door in
Manhattan. He then toured with the band around the USA into the late 1950s.
In December 1957, Red Allen made an appearance on the
"Sound Of Jazz" television show. In 1959 Allen made his first tour of
Europe when he joined Kid Ory's band. From 1954 until the club ceased its jazz
policy in 1965, Allen led the house band at New York's Metropole Cafe.
Allen returned to working under his own name making numerous
tours of the United States and Europe. He was diagnosed with pancreatic cancer
in late 1966, and after undergoing surgery, made a final tour of England ending
six weeks before his death on April 17, 1967 in New York City. He left behind
his widow, Pearly May, and a son, Henry Allen III.
Henry Allen t, v / Keg Johnson or Claude Jones tb / Buster Bailey cl / Hilton Jefferson as / Horace Henderson p / Lawrence Lucie g / Elmer James sb / Walter Johnson d.
Recorded in New York on July 28, 1934.