Duke Ellington & His Orchestra - Victor 24617 (1934)

Duke Ellington p, a, dir / Arthur Whetsel, Freddy Jenkins, Cootie Williams t / Joe Nanton, Lawrence Brown tb / Juan Tizol vtb / Johnny Hodges cl, ss, as / Harry Carney cl, as, bar / Barney Bigard, cl ts / Fred Guy bj / Wellman Braud sb / Sonny Greer d.

Recorded in New York on April 12, 1934.




Maude Jones & Her Jazzbo Syncopators / Willie Black & His Sizzling Syncopators - Medallion 8297 (1921)

Had never heard of either artist on this record when I found it...and with good reason.

From wikipedia...

Lillyn Brown was born in Atlanta, Georgia on April 24, 1885 as Lillian Thomas. According to the New York Times she was the daughter of an African-American mother and French father, though other sources suggest that her father was Iroquois. She was light skinned and "some black friends said that they did not realize she was a Negro until she told them."

She first performed in 1894 as "The Indian Princess" with an all-white female string band; and by 1896, billed as "The World's Youngest Interlocutor", was performing in minstrel shows as a male impersonator, often credited as E. L. Brown to disguise her gender. She developed an act in which she wore top hat and tails, sang several songs as a man, and then revealed her long hair and continued singing as a woman. She claimed to be the first professional vocalist to sing the blues before a public audience, in performances at the Little Strand Theatre in Chicago in 1908.

In 1918, she replaced Esther Bigeou as the female star of the popular musical comedy Broadway Rastus in New York. She made her only recordings in March and May 1921, a few months after the pioneering blues recordings by Mamie Smith. Brown recorded for Emerson Records, backed by the Jazz-Bo Syncopators, a band that included Ed Cox (cornet), Bud Aiken and Herb Flemming (trombones), Garvin Bushell (clarinet), Johnny Mullins (violin), and Lutice Perkins (drums). In all, she only recorded four tracks – "Ever Lovin' Blues", "If That's What You Want Here It Is", "The Jazz Me Blues", and "Bad-Land Blues". They were then reissued under different names by other record labels; as by Maude Jones on Medallion, Fannie Baker on Oriole, and Mildred Fernandez on Regal.

She died in Manhattan, New York City on June 8, 1969 at the age of 84.

Noble Sissle is noted for his collaboration with songwriter, Eubie Blake. The pair first performed in vaudeville and later produced the musicals Shuffle Along and The Chocolate Dandies. Sissle is also, famously, the only African-American artist to appear in the Pathé film archives.

Shortly after World War I, Sissle joined forces with Blake to form a vaudeville music duo, "The Dixie Duo". After vaudeville, the pair began work on the musical revue, Shuffle Along, which incorporated many songs they had written, and had a book written by F. E. Miller and Aubrey Lyles. When it premiered in 1921, Shuffle Along became the first hit musical on Broadway written by and about African Americans. The musicals also introduced hit songs such as I'm Just Wild About Harry and Love Will Find a Way.

Maude Jones (Lillyn Brown) v / Ed Cox c / Bud Aiken or Herb Flemming tb / Garvin Bushell cl, as / Johnny Mullins vn / p / Lutice Perkins d.

Recorded in New York on May 9, 1921.


Willie Black (Noble Sissle) v / Frank DeBraithe t / Frank Withers tb / Edgar Campbell cl / Nelson Kincaid as / Eubie Blake p / bj / bb / Steve Wright d.

Recorded in New York on May 3, 1921.

Helen Humes - Okeh 8674 (1927)

Discovered by Sylvester Weaver, here's a 14 year old Helen Humes from her second and third recording sessions.


Helen Humes v / Sylvester Weaver, Walter Beasley g.

Recorded in New York on November 26 (Garlic Blues) and 27, 1927.



William McCoy - Columbia 15269 (1927)


Recorded in Dallas on December 6, 1927.


DeFord Bailey - Brunswick 147 (1927)

Not only was DeFord Bailey the first black member of the Grand Ole Opry...he was the first performer on the December 10th, 1927 airing of the WSM Barn Dance that incidentally coined the name "Grand Ole Opry."

And you were thinking Charley Pride was the first. (He was in fact second, joining in 1993 after having a standing invitation since the late '60s...and Darius Rucker, third, joining in 2012)

Here are 2 harmonica solos from the 'Harmonica Wizard's' very first recording session in New York City on April 19, 1927.





1929 Newspaper Clipping (Gaffney, SC)

The Jungle Band - Brunswick 4705 (1929)

Duke Ellington p, a, dir / Arthur Whetsel, Freddy Jenkins, Cootie Williams t / Joe Nanton tb / Juan Tizol vtb / Johnny Hodges cl, ss, as / Harry Carney cl, as, bar / Barney Bigard, cl ts / Fred Guy bj / Wellman Braud sb / Sonny Greer d.

Recorded in New York on September 13, 1929.


New Orleans Rhythm Kings - Bluebird 10956 (1925)

These are not reissues of the same two sides found on the 1925 Victor batwing (19645) by the New Orleans Rhythm Kings...both of these tunes are alternate takes from that earlier session and were made available for the first time on this Bluebird release.

Now...I've got to find the batwing.

Paul Mares c / Santo Pecora tb / Charlie Cordella cl / Glyn Lea 'Red' Long p / Bill Eastwood bj / Chink Martin bb / Leo Adde d.

Recorded in New Orleans on March 26, 1925.



Duke Ellington & His Cotton Club Orchestra / King Oliver & His Orchestra - Victor 38034 (1928-29)

Duke Ellington p, a, dir / Arthur Whetsel t / Joe Nanton tb / Johnny Hodges cl, ss, as / Harry Carney cl, as, bar / Barney Bigard cl, ts / Fred Guy bj / Wellman Braud bb / Sonny Greer d.

Recorded in New York on October 30, 1928.


King Oliver dir / Louis Metcalf c / J.C. Higgin botham tb / Charlie Holmes cl, ss, as / Teddy Hill ts / Will Johnson bj, g / "Bass" Moore bb / Paul Barbarin d.

Recorded at Liederkranz Hall, New York on January 16, 1929.


Little Johnny Jones & The Chicago Hound Dogs - Flair 1010 (1953)

From wikipedia...

Little Johnny Jones (November 1, 1924 – November 19, 1964) was an American Chicago blues pianist and singer, best known for his work with Tampa Red, Muddy Waters and Elmore James.

Jones was born in Jackson, Mississippi in 1924. He arrived in Chicago in 1945 in the company of Little Walter and "Baby Face" Leroy Foster, and soon replaced pianist Big Maceo Merriweather in Tampa Red's band after Merriweather suffered a stroke which paralysed his right hand. He later backed Muddy Waters on harmonica, and recorded (on piano and vocals) with Waters for the Aristocrat label in 1949. From 1952 to 1956 he played and recorded with Elmore James, and in later years he worked with Howlin' Wolf, Billy Boy Arnold and Magic Sam, among others.

Like several other Chicago pianists of his era, his style was heavily influenced by Big Maceo Merriweather, from whom he had learned, and for whom he played piano after Merriweather's stroke. Jones's 1949 side Big Town Playboy is regarded as a classic of the genre, and was covered by guitarist Eddie Taylor in 1955.

Popular with audiences, Jones was a heavy drinker and had a reputation as a wild character. According to Homesick James, who worked and toured with them in the 1950s, "Elmore and Johnnie used to just have a fight every night."

Jones married his wife Letha in 1952. He died of bronchopneumonia in Cook County Hospital, and was interred at Restvale Cemetery in November 1964.

On May 14, 2011 the fourth annual White Lake Blues Festival took place at the Howmet Playhouse Theater in Whitehall, Michigan. The event was organized by executive producer, Steve Salter, of the nonprofit organization Killer Blues to raise monies to honor Jones unmarked grave with a headstone. The concert was a success, and a headstone was placed in June, 2011.

Little Johnny Jones p, v / J.T. Brown ts / Elmore James g / ? Ransom Knowling b / Odie Payne d.

Recorded in Chicago in 1953.


The Midnight Rounders / Albert Wynne & His Gut Bucket Five - Vocalion 1218 (1928)

Albert Wynne & His Gut Bucket Five: Punch Miller c, v / Albert Wynn(e) tb / Lester Boone cl, as, bar / Alex Hill p / Charlie Jackson bj / Sidney Catlett d.

Recorded in Chicago on October 9, 1928.


The Midnight Rounders: Jimmy Blythe p / Bill Johnson sb / Cliff Jones d, v.

Recorded in Chicago on October 9, 1928.