Land Norris - Okeh 45006 (1925)

A Christmas gift from Mom that she found on her recent trip through Mississippi.

Not much about this Georgia banjo player out there. This banjo website seems to have the most info.

Recorded in June of 1925, possibly in Atlanta.

Fess Williams' Royal Flush Orchestra - Brunswick 3589 (1927)

Here we have Charles Mingus' uncle, Fess Williams and his band from 1927.

Click here for Williams' first recording.

Fess Williams cl, as, ldr / George Temple t / Kenneth Roane t / David 'Jelly' James tb / Otto Mikell as / Perry Smith cl, ts / Henry Duncan p / Ollie Blackwell bj / Clinton Walker bb / Ralph Bedell d.

Recorded in New York on June 15, 1927.

Click here for Williams' first recording.

Merry Christmas!

Carl Perkins - Sun 234 (1955)

From wikipedia...

Johnny Cash planted the seed for the song in the fall of 1955, while Perkins, Cash, Elvis Presley, and other Louisiana Hayride acts toured throughout the South. Cash told Perkins of a black airman whom he had met when serving in the military in Germany. He had referred to his military regulation air shoes as "blue suede shoes." Cash suggested that Carl write a song about the shoes. Carl replied, "I don't know anything about shoes. How can I write a song about shoes?"

When Perkins played a dance on December 4, 1955, he noticed a couple dancing near the stage. Between songs, Carl heard a stern, forceful voice say, "Uh-uh, don't step on my suedes!" Carl looked down and noted that the boy was wearing blue suede shoes and one had a scuff mark. Good gracious, a pretty little thing like that and all he can think about is his blue suede shoes, thought Carl.

That night Perkins began working on a song based on the incident. His first thought was to frame it with a nursery rhyme. He considered, and quickly discarded "Little Jack Horner..." and "See a spider going up the wall...", then settled on "One for the money..." Leaving his bed and working with his Les Paul guitar, he started with an A chord. After playing five chords while singing "Well, it's one for the money... Two for the show... Three to get ready... Now go, man, go!" he broke into a boogie rhythm. He quickly grabbed a brown paper potato sack and wrote the song down, writing the title out as "Blue Swade"; "S-W-A-D-E – I couldn't even spell it right," he later said. According to Perkins, "On December 17, 1955, I wrote 'Blue Suede Shoes'. I recorded it on December 19." Producer Sam Phillips suggested that Perkins's line "go cat go" be changed to "go man go," but it wasn't.

Carl Perkins lead g, v / Jay Perkins acoustic g, background v / Clayton Perkins sb / W.S. Holland d.

Recorded December 19, 1955.

The Ravens Featuring Jimmy Ricks - Jubilee 5203 (1955)

In my opinion, Green Eyes is Jimmy Rick's best work. This song, along with others such as the Domino's Sixty Minute Man and the Coasters' Brazil, was on a mixtape of Carolina beach music tunes my aunt made for me in the early 80s.

Jimmy Ricks lead vocal / Jimmy Stewart lead vocal (Green Eyes) / Louis Frazier lead vocal (The Bells Of San Raquel)

Recorded in May of 1955.

Elvis Presley - Sun 209 (1954)

Just got a call from my "record guy" and he told me a person in the next state over had just called wondering if he'd be interested in an Elvis on Sun. Within two hours, I was driving home, dodging potholes with precious cargo on board.

Here is the first commercial release by a nineteen year old Elvis that introduced him to the world...or at least Memphis. It would go on to sell 20,000 records and reach #4 on the Memphis chart. It didn't hit any national charts.

Elvis Presley v, g / Scotty Moore g / Bill Black sb.

Recorded at Sun Studio in Memphis on July 5 (TA) & 6 (BM).

Clarence Williams Stompers - Okeh 40598 (1926)

I'm a big Bubber Miley fan.

Bubber Miley, Thomas Morris c / ? Joe "Tricky Sam" Nanton tb / Don Redman cl, as, v / Clarence Williams p / Leroy Harris or Buddy Christian bj / Harry Edwards bb.

Recorded in New York on April 7, 1926.

Jimmy McCracklin & Orchestra - Peacock 1615 (1953)

From wikipedia...

Jimmy McCracklin (August 13, 1921 – December 20, 2012) was an American pianist, vocalist, and songwriter. His style contained West Coast blues, Jump blues, and R&B. Over a career that spanned seven decades, he said he had written almost a thousand songs and had recorded hundreds of them. McCracklin recorded over 30 albums, and earned four gold records. Tom Mazzolini of the San Francisco Blues Festival said of him, "He was probably the most important musician to come out of the Bay Area in the post-World War II years."

McCracklin was born James David Walker on 13 August 1921. Sources differ as to whether he was born in Helena, Arkansas or St. Louis, Missouri. He joined the United States Navy in 1938, later settled in Richmond, California, and began playing at the local Club Savoy owned by his sister-in-law Willie Mae "Granny" Johnson. The room-length bar served beer and wine, and Granny Johnson served home-cooked meals of greens, ribs, chicken, and other southern cuisine. A house band composed of Bay Area based musicians alternated with and frequently backed performers such as B. B. King, Charles Brown, and L. C. Robinson. Later in 1963 he would write and record a song "Club Savoy" on his I Just Gotta Know album.

His recorded a debut single for Globe Records, "Miss Mattie Left Me", in 1945, and recorded "Street Loafin' Woman in 1946. McCracklin recorded for a number of labels in Los Angeles and Oakland, prior to joining Modern Records in 1949-1950. He formed a group called Jimmy McCracklin and his Blues Blasters in 1946, with guitarist Lafayette Thomas who remained with group until the early 1960s.

His popularity increased after appearing on the TV pop Dick Clark's American Bandstand in support of his self-written single "The Walk" (1957), subsequently released by Checker Records in 1958. It went to No. 5 on the Billboard R&B chart and No. 7 on the pop chart, after more than 10 years of McCracklin selling records in the black community on a series of small labels.

He died in San Pablo, California, in the San Francisco Bay Area, on December 20, 2012, after a long illness, aged 91.

(Check out this track from 1999...it's my favorite McCracklin tune)

Butterbeans & Susie With Joe King Oliver & Clarence Williams - Okeh 8163 (1924)

Been after a Butterbeans and Susie with King Oliver for quite a while. (I do believe that this only one of two sides Oliver recorded with the husband and wife duo)

As coincidence might have it, I unknowingly purchased it from someone I had been emailing back and forth with due to this blog and facebook page. Small world of 78 collectors!

Butterbeans (Joe Edwards) and Susie (Sue Edwards) v / Clarence Williams p / King Oliver c (CG side only)

Recorded in New York on September 12 (CG) & 15 (A to Z), 1924.

Cab Calloway & His Orchestra - Perfect 15500 (1931)

From wikipedia...

William Thornton Blue (1902 – 1968), sometimes credited as Bill Blue, was an American jazz reed player.

Blue grew up playing in local bands in St. Louis, Missouri, where his father was a part-time music instructor. He played with Wilson Robinson's Bostonians, a territory band, and worked with Charlie Creath and Dewey Jackson in the middle of the 1920s. Later that decade he worked with Andrew Preer's Cotton Club Orchestra in New York City and on tour in Europe as a member of Noble Sissle's ensemble. He remained in Paris briefly, playing with John Ricks.

When he returned to New York, he joined The Missourians, led by Cab Calloway, then worked with Luis Russell. Due to failing health, Blue played little in the late 1930s and afterwards; he spent the last several years of his life in a sanatorium.

Cab Calloway v, dir / Edwin Swayzee, Lammar Wright, Reuben Reeves t / De Priest Wheeler, Harry White tb / Arville Harris, William Thornton Blue cl, as / Andrew Brown bcl, ts / Walter Thomas as, ts, bar, f / Bennie Payne p / Morris White bj / Jimmy Smith bb, sb / Leroy Maxey d.

Recorded in New York on July 9, 1931.

Cab's sister, Blanche, recorded It Looks Like Susie a little less than a month earlier...that date being one of Ben Webster's earliest on wax. Click here to take a listen.