Paul Mares c / Santo Pecora tb / Leon Roppolo cl / Charlie Cordella ts / Glyn Lea "Red" Long p / Bill Eastwood bj / Chink Martin bb / Leo Adde d.
Recorded in New Orleans on January 23, 1925.
Showing posts with label Leon Roppolo. Show all posts
Showing posts with label Leon Roppolo. Show all posts
Original New Orleans Rhythm Kings - Okeh 40422 (1925)
There were only eight sides by this group recorded in New Orleans and with the recent acquisition of this one, I have finally completed that run.
Paul Mares c / Santo Pecora tb / Leon Roppolo cl / Charlie Cordella ts / Glyn Lea "Red" Long p / Bill Eastwood bj / Chink Martin bb / Leo Adde d.
Recorded in New Orleans on January 23, 1925.
Paul Mares c / Santo Pecora tb / Leon Roppolo cl / Charlie Cordella ts / Glyn Lea "Red" Long p / Bill Eastwood bj / Chink Martin bb / Leo Adde d.
Recorded in New Orleans on January 23, 1925.
Original New Orleans Rhythm Kings - Okeh 40327 (1925)
Feel very fortunate to have gotten this one.
Just one of three records recorded by the NORK on their home turf of New Orleans. (two Okehs and one Victor in 1925...a Bluebird was later released with alternate takes of the Victor sides)
Recorded the same day as my all time favorite NOLA record...
Paul Mares c / Santo Pecora tb / Leon Roppolo cl / Charlie Cordella ts / Glyn Lea 'Red' Long p / Bill Eastwood bj / Chink Martin bb / Leo Adde d.
Recorded in New Orleans on January 23, 1925.
Just one of three records recorded by the NORK on their home turf of New Orleans. (two Okehs and one Victor in 1925...a Bluebird was later released with alternate takes of the Victor sides)
Recorded the same day as my all time favorite NOLA record...
Paul Mares c / Santo Pecora tb / Leon Roppolo cl / Charlie Cordella ts / Glyn Lea 'Red' Long p / Bill Eastwood bj / Chink Martin bb / Leo Adde d.
Recorded in New Orleans on January 23, 1925.
Half-Way House Orchestra - Okeh 40318 (1924)
Kinda rough around the edges but here we have the first recording by the New Orleans outfit, the Half Way House Orchestra. Been difficult to find and add to the NOLA collection but not as elusive as their Wylie Avenue Blues.
Can't find the exact notation but I do believe that these are Leon Roppolo's last recordings.
From wikipedia...
Leon Joseph Roppolo (March 16, 1902 – October 5, 1943) was a prominent early jazz clarinetist, best known for his playing with the New Orleans Rhythm Kings. He also played saxophone and guitar.
Leon Roppolo was born in Lutcher, Louisiana, up-river from New Orleans.[1] His family, of Sicilian origin, moved to the Uptown neighborhood of New Orleans about 1912. Young Leon's first instrument was the violin. He was a fan of the marching bands he heard in the streets of New Orleans, and wanted to play clarinet. An older relative with the same name played that instrument in Papa Jack Laine's Reliance Brass Band.
Roppolo soon excelled at the clarinet, and played youthful jobs with his friends Paul Mares and George Brunies for parades, parties, and at Milneburg on the shores of Lake Pontchartrain. At the age of 15 he decided to leave home to travel with the band of Bee Palmer, which soon became the nucleus for the New Orleans Rhythm Kings. The Rhythm Kings became (along with King Oliver's band) one of the best regarded hot jazz bands in Chicago in the early 1920s. Many considered Roppolo to be the star. His style influenced many younger Chicago musicians, most famously Benny Goodman. Some critics have called Roppolo's work on the Rhythm Kings Gennett Records the first recorded jazz solos.
After the breakup of the Rhythm Kings in Chicago, Roppolo and Paul Mares headed east to try their luck on the New York City jazz scene. Contemporary musicians recalled Roppolo making some recordings with Original Memphis Five and California Ramblers musicians in New York in 1924. These sides were presumably unissued, or if issued unidentified.
Roppolo and Mares then returned home to New Orleans where they briefly reformed the Rhythm Kings and made some more recordings. After this Roppolo worked with other New Orleans bands such as the Halfway House Orchestra, with which he recorded on saxophone.
Roppolo exhibited ever more eccentric behavior and violent temper. This was finally too much for his family to take, and Leon was committed to the state mental hospital in 1925. Some writers have speculated that he was suffering from tertiary syphilis.
In his later life, Roppolo, looking old and feeble far beyond his age, would come home for periods when a relative or friend could look after him, and he would sit in with local bands on saxophone or clarinet.
Leon Roppolo died in New Orleans at the age of 41, and is buried in Woodlawn Cemetery, within sight of the old Halfway House building where he played for years.
Albert Brunies c, dir / Joe Loyacano tb / Leon Roppolo cl, as / Charlie Cordella cl, ts / Mickie Marcour p / Bill Eastwood bj / Leo Adde d.
Recorded in New Orleans on January 22, 1925.
Can't find the exact notation but I do believe that these are Leon Roppolo's last recordings.
From wikipedia...
Leon Joseph Roppolo (March 16, 1902 – October 5, 1943) was a prominent early jazz clarinetist, best known for his playing with the New Orleans Rhythm Kings. He also played saxophone and guitar.
Leon Roppolo was born in Lutcher, Louisiana, up-river from New Orleans.[1] His family, of Sicilian origin, moved to the Uptown neighborhood of New Orleans about 1912. Young Leon's first instrument was the violin. He was a fan of the marching bands he heard in the streets of New Orleans, and wanted to play clarinet. An older relative with the same name played that instrument in Papa Jack Laine's Reliance Brass Band.
Roppolo soon excelled at the clarinet, and played youthful jobs with his friends Paul Mares and George Brunies for parades, parties, and at Milneburg on the shores of Lake Pontchartrain. At the age of 15 he decided to leave home to travel with the band of Bee Palmer, which soon became the nucleus for the New Orleans Rhythm Kings. The Rhythm Kings became (along with King Oliver's band) one of the best regarded hot jazz bands in Chicago in the early 1920s. Many considered Roppolo to be the star. His style influenced many younger Chicago musicians, most famously Benny Goodman. Some critics have called Roppolo's work on the Rhythm Kings Gennett Records the first recorded jazz solos.
After the breakup of the Rhythm Kings in Chicago, Roppolo and Paul Mares headed east to try their luck on the New York City jazz scene. Contemporary musicians recalled Roppolo making some recordings with Original Memphis Five and California Ramblers musicians in New York in 1924. These sides were presumably unissued, or if issued unidentified.
Roppolo and Mares then returned home to New Orleans where they briefly reformed the Rhythm Kings and made some more recordings. After this Roppolo worked with other New Orleans bands such as the Halfway House Orchestra, with which he recorded on saxophone.
Roppolo exhibited ever more eccentric behavior and violent temper. This was finally too much for his family to take, and Leon was committed to the state mental hospital in 1925. Some writers have speculated that he was suffering from tertiary syphilis.
In his later life, Roppolo, looking old and feeble far beyond his age, would come home for periods when a relative or friend could look after him, and he would sit in with local bands on saxophone or clarinet.
Leon Roppolo died in New Orleans at the age of 41, and is buried in Woodlawn Cemetery, within sight of the old Halfway House building where he played for years.
Albert Brunies c, dir / Joe Loyacano tb / Leon Roppolo cl, as / Charlie Cordella cl, ts / Mickie Marcour p / Bill Eastwood bj / Leo Adde d.
Recorded in New Orleans on January 22, 1925.
Friars Society Orchestra - Gennett 4968 (1922)
Husk O'Hare dir / Elmer Schoebel p, a, dir / Paul Mares c / George Brunies tb / Leon Roppolo cl / Jack Pettis Cm, ts / Lou Black bj / Steve Brown b / Frank Snyder d.
Recorded in Richmond, IN on August 30, 1922.
Recorded in Richmond, IN on August 30, 1922.
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