Duke Ellington p, a, dir / Bubber Miley, Louis Metcalf t / Joe Nanton tb / Otto Hardwick ss, as, bar / ? Prince Robinson and another cl, ts / Fred Guy bj / Henry Edwards bb / Sonny Greer d.
Recorded in New York on March 22, 1927.
Duke Ellington & His Washingtonians - Columbia 953 (1927)
This is my favorite version of East St. Louis Toodle-O.
Duke Ellington p, a, dir / Bubber Miley, Louis Metcalf t / Joe Nanton tb / Otto Hardwick ss, as, bar / ? Prince Robinson and another cl, ts / Fred Guy bj / Henry Edwards bb / Sonny Greer d.
Recorded in New York on March 22, 1927.
Duke Ellington p, a, dir / Bubber Miley, Louis Metcalf t / Joe Nanton tb / Otto Hardwick ss, as, bar / ? Prince Robinson and another cl, ts / Fred Guy bj / Henry Edwards bb / Sonny Greer d.
Recorded in New York on March 22, 1927.
Hank Williams With His Drifting Cowboys - MGM 10904 / Louis Armstrong & His Orchestra - Decca 27816 (1950/1951)
Which one?
Hank Williams v, g / Jerry Rivers fiddle / Don Helms sg / Chet Atkins eg / Sammy Pruett g / Ernie Newton or "Cedric Rainwater" (Howard Watts) sb / Owen Bradley or Fred Rose p.
Recorded on December 21, 1950.
Louis Armstrong t, v / Charlie Holmes, George Dorsey as / Harold Clark, Dave McRae ts / Don Abney p / Everett Barksdale g / Franck Goodlette sb / Jack 'The Bear' Parker d.
Recorded in New York on September 17, 1951.
Three Dynamites - Columbia 38110 (1947)
Nice slide work on this early Rhythm & Blues release.
Recorded in Chicago on June 12, 1947.
Recorded in Chicago on June 12, 1947.
Paul Whiteman & His Swing Wing Featuring Jack Teagarden - Decca 3522 (1938)
Charlie Teagarden t / Jack Teagarden tb, v / Sal Franzella cl / Al Gallodoro as / Art Drelinger ts / Walter Gross p / Art Ryerson g / Art Miller sb / Rollo Laylan d.
Recorded in New York on September 9, 1938.
Recorded in New York on September 9, 1938.
Wynonie Harris - King 4210 (1947)
From wikipedia...
Good Rocking Tonight was originally a jump blues song released in 1947 by its writer, Roy Brown and was covered by many other recording artists. The song includes the memorable refrain, "Well I heard the news, there's good rocking tonight!" The song anticipated elements of rock and roll music.
Brown had first offered his song to Wynonie Harris, who turned it down. He then approached Cecil Gant later that night, but after hearing Brown sing, Gant made a 2:30 AM phone call to Jules Braun, the president of DeLuxe Records. After Roy Brown sang his song over the phone, Braun asked Brown to sing it a second time. He then told Gant, "Give him fifty dollars and don't let him out of your sight."
Five weeks later, Brown recorded the song for DeLuxe Records. Only after Brown's record had gained traction in New Orleans did Harris decide to cover it. Harris's version was even more energetic than Brown's original version, featuring black gospel style handclapping. This may have contributed to the composition's greater success on the national R&B chart. Brown's original recording hit #13 of the Billboard R&B chart, but Harris' record became a #1 R&B hit and remained on the chart for half a year. Brown's single would re-enter the chart in 1949, peaking at #11.
Harris had a reputation for carousing, and sometimes forgot lyrics. His Good Rockin' recording session largely followed Brown's original lyrics, but by the end, he replaced the last section with a series of raucous "hoy hoy hoy!" interjections, a commonly used expression in jump blues tunes of the time, going back to 1945's The Honeydripper by Joe Liggins.
The song is a primer of sorts on the popular black music of the era, making lyrical reference to Sweet Lorraine, Sioux City Sue, Sweet Georgia Brown, Caldonia, Elder Brown, and Deacon Jones. All of these characters had figured prominently in previous hit songs. The song has also been credited with being the most successful record to that point to use the word "rock" not as a euphemism for sex, but as a descriptive for the musical style, a connection which would become even clearer in 1954 when a version of Good Rockin' Tonight became Elvis Presley's second-ever single.
While Brown missed out on the biggest hit version of his song, its success kicked off his own career, which included two #1 R&B hits. In 1949, he released Rockin' at Midnight, a sequel to Good Rockin' Tonight. It reached #2 on the R&B chart, where it remained for a month.
Wynonie Harris v / Oran 'Hot Lips' Page t / Joe Britton tb / Vincent Bair as / Hal Singer, Tom Archia ts / Joe Knight p / Carl 'Flat Top' Wilson sb / Clarence Donaldson d.
Recorded in Cincinnati on December 23 & 28, 1947.
Good Rocking Tonight was originally a jump blues song released in 1947 by its writer, Roy Brown and was covered by many other recording artists. The song includes the memorable refrain, "Well I heard the news, there's good rocking tonight!" The song anticipated elements of rock and roll music.
Brown had first offered his song to Wynonie Harris, who turned it down. He then approached Cecil Gant later that night, but after hearing Brown sing, Gant made a 2:30 AM phone call to Jules Braun, the president of DeLuxe Records. After Roy Brown sang his song over the phone, Braun asked Brown to sing it a second time. He then told Gant, "Give him fifty dollars and don't let him out of your sight."
Five weeks later, Brown recorded the song for DeLuxe Records. Only after Brown's record had gained traction in New Orleans did Harris decide to cover it. Harris's version was even more energetic than Brown's original version, featuring black gospel style handclapping. This may have contributed to the composition's greater success on the national R&B chart. Brown's original recording hit #13 of the Billboard R&B chart, but Harris' record became a #1 R&B hit and remained on the chart for half a year. Brown's single would re-enter the chart in 1949, peaking at #11.
Harris had a reputation for carousing, and sometimes forgot lyrics. His Good Rockin' recording session largely followed Brown's original lyrics, but by the end, he replaced the last section with a series of raucous "hoy hoy hoy!" interjections, a commonly used expression in jump blues tunes of the time, going back to 1945's The Honeydripper by Joe Liggins.
The song is a primer of sorts on the popular black music of the era, making lyrical reference to Sweet Lorraine, Sioux City Sue, Sweet Georgia Brown, Caldonia, Elder Brown, and Deacon Jones. All of these characters had figured prominently in previous hit songs. The song has also been credited with being the most successful record to that point to use the word "rock" not as a euphemism for sex, but as a descriptive for the musical style, a connection which would become even clearer in 1954 when a version of Good Rockin' Tonight became Elvis Presley's second-ever single.
While Brown missed out on the biggest hit version of his song, its success kicked off his own career, which included two #1 R&B hits. In 1949, he released Rockin' at Midnight, a sequel to Good Rockin' Tonight. It reached #2 on the R&B chart, where it remained for a month.
Wynonie Harris v / Oran 'Hot Lips' Page t / Joe Britton tb / Vincent Bair as / Hal Singer, Tom Archia ts / Joe Knight p / Carl 'Flat Top' Wilson sb / Clarence Donaldson d.
Recorded in Cincinnati on December 23 & 28, 1947.
Carlton Gomes (Mighty Spitfire) With Tom Durham & His Orchestra - Sagomes 129 (1952)
Sold all of my calypso a few years back and have regretted it since. This recent get helps soothe the pain.
Recorded at Sa Gomes Studio in Trinidad in 1952.
Recorded at Sa Gomes Studio in Trinidad in 1952.
Roy Milton's Sextet - Hamp-Tone 104 (1945)
From wikipedia...
Roy Milton (July 31, 1907 – September 18, 1983) was an American R&B and jump blues singer, drummer and bandleader.
Milton's grandmother was a Chickasaw. He was born in Wynnewood, Oklahoma, United States, and grew up on an Indian reservation before moving to Tulsa, Oklahoma. He joined the Ernie Fields band in the late 1920s as singer and, later, drummer.
Moving to Los Angeles, California, in 1933, he formed his own band, the Solid Senders, with Camille Howard on piano. He performed in local clubs and began recording in the 1940s, his first release being Milton's Boogie on his own record label. His big break came in 1945, when his R.M. Blues, on the new Juke Box label, became a hit, reaching number 2 on the Billboard R&B chart and No. 20 on the pop chart. Its success helped establish Art Rupe's company, which he shortly afterwards renamed Specialty Records.
Milton and his band became a major touring attraction, and he continued to record successfully for Specialty Records through the late 1940s and early 1950s. He recorded a total of 19 Top Ten R&B hits, the biggest being Hop, Skip And Jump (# 3 R&B, 1948), "Information Blues" (# 2 R&B, 1950), and "Best Wishes" (# 2 R&B, 1951). He left Specialty in 1955. However, releases on other labels were unsuccessful, and the development of rock and roll had rendered him something of an anachronism by the middle of the decade.
Nevertheless he continued to perform, appearing in 1970 as a member of Johnny Otis' band at the Monterey Jazz Festival, and resumed his recording career in the 1970s with albums for Kent Records (# KST-554), "Roots Of Rock, Vol. 1: Roy Milton" and the French label, Black & Blue (# 33.114), Instant Groove.
Roy Milton ("The Grandfather Of R&B") died in Los Angeles, California, on September, 18 1983, aged 76.
Here are two of four sides from Milton's first recording session.
Jimmy Nottingham, Hosea Sapp t / Lorenzon 'Buddy' Floyd ts / Camille Howard p / Dave Robinson sb / Roy Milton d, v.
Recorded in Los Angeles in September, 1945.
Roy Milton (July 31, 1907 – September 18, 1983) was an American R&B and jump blues singer, drummer and bandleader.
Milton's grandmother was a Chickasaw. He was born in Wynnewood, Oklahoma, United States, and grew up on an Indian reservation before moving to Tulsa, Oklahoma. He joined the Ernie Fields band in the late 1920s as singer and, later, drummer.
Moving to Los Angeles, California, in 1933, he formed his own band, the Solid Senders, with Camille Howard on piano. He performed in local clubs and began recording in the 1940s, his first release being Milton's Boogie on his own record label. His big break came in 1945, when his R.M. Blues, on the new Juke Box label, became a hit, reaching number 2 on the Billboard R&B chart and No. 20 on the pop chart. Its success helped establish Art Rupe's company, which he shortly afterwards renamed Specialty Records.
Milton and his band became a major touring attraction, and he continued to record successfully for Specialty Records through the late 1940s and early 1950s. He recorded a total of 19 Top Ten R&B hits, the biggest being Hop, Skip And Jump (# 3 R&B, 1948), "Information Blues" (# 2 R&B, 1950), and "Best Wishes" (# 2 R&B, 1951). He left Specialty in 1955. However, releases on other labels were unsuccessful, and the development of rock and roll had rendered him something of an anachronism by the middle of the decade.
Nevertheless he continued to perform, appearing in 1970 as a member of Johnny Otis' band at the Monterey Jazz Festival, and resumed his recording career in the 1970s with albums for Kent Records (# KST-554), "Roots Of Rock, Vol. 1: Roy Milton" and the French label, Black & Blue (# 33.114), Instant Groove.
Roy Milton ("The Grandfather Of R&B") died in Los Angeles, California, on September, 18 1983, aged 76.
Here are two of four sides from Milton's first recording session.
Jimmy Nottingham, Hosea Sapp t / Lorenzon 'Buddy' Floyd ts / Camille Howard p / Dave Robinson sb / Roy Milton d, v.
Recorded in Los Angeles in September, 1945.
Carolina Cotton Pickers Orchestra - Vocalion 03580 (1937)
Just completed the run of Carolina Cotton Pickers' sides last night...quite by accident.
John Williams, Thad Seabrooks, Joseph Williams t / Leroy Hardison or Ben Martin, Julius Watson tb / Eugene Earl tb, bb / Booker Starks, Albert 'Pepper' Martin as / Lew Williams, Walter Bash ts / Cliff Smalls p / W.J. Edwards g / Lee Thurman sb / Otis Walker d, v.
Recorded in Birmingham, AL on March 24, 1937.
John Williams, Thad Seabrooks, Joseph Williams t / Leroy Hardison or Ben Martin, Julius Watson tb / Eugene Earl tb, bb / Booker Starks, Albert 'Pepper' Martin as / Lew Williams, Walter Bash ts / Cliff Smalls p / W.J. Edwards g / Lee Thurman sb / Otis Walker d, v.
Recorded in Birmingham, AL on March 24, 1937.
Cab Calloway & His Orchestra - Perfect 15791 (1932)
Cab Calloway v, dir / Edwin Swayzee, Lammar Wright, Doc Cheatham t / De Priest Wheeler, Harry White tb / Eddie Barefield cl, as, bar / Arville Harris cl, as /Andrew Brown bcl, ts / Walter Thomas as, ts, bar, f / Bennie Payne p / Morris White bj, g / Roy Seck g / Al Morgan sb / Leroy Maxey d.
Recorded in New York on November 9 & 15, 1932.
Recorded in New York on November 9 & 15, 1932.
Celestin's Original Tuxedo Jazz Orchestra - Columbia 14396 (1928)
I believe this is the last pre-war Celestin recording before the revival years down the road.
Oscar Celestin c, dir / Guy Kelly c / ? Ernest Kelly tb / Earl Pierson cl, as / Sid Carriere cl, ts / Jeanette Salvant p / Narvin Kimball bj / Simon Marrero bb / Abby Foster d, v.
Recorded in New Orleans on December 13, 1928.
Oscar Celestin c, dir / Guy Kelly c / ? Ernest Kelly tb / Earl Pierson cl, as / Sid Carriere cl, ts / Jeanette Salvant p / Narvin Kimball bj / Simon Marrero bb / Abby Foster d, v.
Recorded in New Orleans on December 13, 1928.
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