Bob Fuller (b. c. 1898) was an American blues and jazz saxophonist and clarinetist, best known for his recordings accompanying female singers of the 1920s.
Born and raised in New York City, Fuller toured the United States with Mamie Smith, then settled down to extensive studio work. He was a house saxophonist for Ajax and Victor Records, playing with Elmer Snowden and Louis Hooper. These musicians also recorded on their own, including as the Five Musical Blackbirds. Fuller also played with Fats Waller's combo, Six Hot Babies.
Fuller worked on at least 140 sessions between 1920 and 1928, accompanying singers such as Martha Copeland, Helen Gross, Rosa Henderson, Maggie Jones, Viola McCoy, and Monette Moore.
Among his many 1920's recordings, his trio sides (with piano and banjo) were issued as "Three Hot Eskimos", "The Black Diamonds", "Three Jolly Jesters", and "Three Monkey Chasers".
Fuller left music permanently after he was sent to prison in the 1930s.
Louis Stanley Hooper (May 18, 1894, North Buxton, Ontario - September 17, 1977, Charlottetown, Prince Edward Island) was a Canadian jazz pianist.
Hooper was raised in Ypsilanti, Michigan and attended the Detroit Conservatory, where he played locally in dance orchestras in the 1910s. He then moved to New York City around 1920; he recorded with Elmer Snowden and Bob Fuller frequently in the middle of the decade, and performed with both of them in Harlem as well as with other ensembles. Hooper served for some time as the house pianist for Ajax Records and accompanied many blues singers on record, including Martha Copeland, Rosa Henderson, Lizzie Miles, Monette Moore, and Ethel Waters. He participated in the Blackbirds revue of 1928.
In 1932 Hooper returned to Canada, where he played in Mynie Sutton's dance band, the Canadian Ambassadors. He did local work solo and in ensembles for the next two decades, then was brought back into the limelight by the Montreal Vintage Music Society in 1962. Hooper released an LP of ragtime piano tunes in 1973 entitled Lou Hooper, Piano. He taught at the University of Prince Edward Island late in his life and appeared regularly on CBC television in Halifax.
His papers, which include unpublished compositions and an autobiography, are now held at the National Library of Canada in Ottawa.
Elmer Snowden (October 9, 1900 – May 14, 1973) was a banjo player of the jazz age. He also played guitar and, in the early stages of his career, all the reed instruments. He contributed greatly to jazz in its early days as both a player and a bandleader, and is responsible for launching the careers of many top musicians. However, Snowden himself has been largely overlooked in jazz history.
Born in Baltimore, Snowden is remembered today mainly as the original leader of the Washingtonians, a group he brought to New York City from the capital in 1923. Unable to get a booking, Snowden sent for Duke Ellington, who was with the group when it recorded three test sides for Victor that remain unissued and are, presumably, lost. Ellington eventually took over leadership of the band, which contained the nucleus of what later became his famous orchestra. Snowden was a renowned band leader – Count Basie, Jimmie Lunceford, Bubber Miley, "Tricky Sam" Nanton, Frankie Newton, Benny Carter, Rex Stewart, Roy Eldridge and Chick Webb are among the musicians who worked in his various bands.
Very active in the 1920s as an agent and musician, Snowden at one time had five bands playing under his name in New York, one of which was led by pianist Cliff Jackson. Unfortunately, most of his bands were not recorded, but a Snowden band that included Eldridge, Al Sears, Dicky Wells and Sid Catlett appeared in a 1932 film, Smash Your Baggage. Snowden also made numerous appearances as a sideman on almost every New York label from 1923 on. Unfortunately, he rarely received credit, except for two sides with Bessie Smith in 1925, and six sides with the Sepia Serenaders in 1934.
Though Snowden continued to be musically active throughout his life, after the mid 1930s he lived in relative obscurity in New York. He continued to play throughout the 30s, 40s and 50s, but was far from the limelight. After a dispute with the musicians union in New York, he moved to Philadelphia where he taught music, counting among his pupils pianist Ray Bryant, his brother, bassist Tommy Bryant, and saxophonist Sahib Shihab (Edmond Gregory).
Snowden was working as a parking lot attendant in 1959 when Chris Albertson, then a Philadelphia disc jockey, came across him. In 1960, Albertson brought Snowden and singer-guitarist Lonnie Johnson together for two Prestige albums, assembled a quartet that included Cliff Jackson for a Riverside session, Harlem Banjo, and, in 1961, a sextet session with Roy Eldridge, Bud Freeman, Jo Jones, and Ray and Tommy Bryant—it was released on the Fontana and Black Lion labels.
In 1963, his career boosted, Snowden appeared at the Newport Jazz Festival. He toured Europe in 1967 with the Newport Guitar Workshop. He moved to California to teach at the University of California, Berkeley, and played with Turk Murphy.
Bob Fuller cl / Louis Hooper p / Elmer Snowden bj.
Recorded in New York on August 8, 1925.
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