Showing posts with label Halfway House Dance Orchestra. Show all posts
Showing posts with label Halfway House Dance Orchestra. Show all posts

Albert Brunies & His Halfway House Orchestra - Columbia 1542 & 1959 (1928)

Here are 4/5ths of the sides issued by The Halfway House Orchestra with Albert Brunies' name out in front on the label.

That 5th one is gonna prove a difficult one to obtain as it was only issued in Australia.

Albert Brunies c, dir / Sidney Arodin cl / Joe Loyacano as / Glyn Lea "Red" Long p / Angelo Palmisano bj / Chink Martin bb, sb / Emmett Rogers d / Johnny Saba v.

New Orleans, April 26 (Love Dreams) & 27 (Tell Me Who) & December 17, 1928.




Alberta Brown - Columbia 14321 (1928)

Always happy to score a disc waxed in New Orleans...even if it is in this kinda shape.

Checking Rust, the instrumentalists are unknown but the Red Hot Jazz site lists members of the Halfway House Orchestra as accompanists...if so, that would make this record an even nicer get.

Alberta Brown v / ? Sidney Arodin cl / Abbie Brunies c / Red Long p / Chink Martin bb.

Recorded in New Orleans on April 25, 1928.


Half-Way House Orchestra - Okeh 40318 (1924)

Kinda rough around the edges but here we have the first recording by the New Orleans outfit, the Half Way House Orchestra. Been difficult to find and add to the NOLA collection but not as elusive as their Wylie Avenue Blues.

Can't find the exact notation but I do believe that these are Leon Roppolo's last recordings.

From wikipedia...

Leon Joseph Roppolo (March 16, 1902 – October 5, 1943) was a prominent early jazz clarinetist, best known for his playing with the New Orleans Rhythm Kings. He also played saxophone and guitar.

Leon Roppolo was born in Lutcher, Louisiana, up-river from New Orleans.[1] His family, of Sicilian origin, moved to the Uptown neighborhood of New Orleans about 1912. Young Leon's first instrument was the violin. He was a fan of the marching bands he heard in the streets of New Orleans, and wanted to play clarinet. An older relative with the same name played that instrument in Papa Jack Laine's Reliance Brass Band.

Roppolo soon excelled at the clarinet, and played youthful jobs with his friends Paul Mares and George Brunies for parades, parties, and at Milneburg on the shores of Lake Pontchartrain. At the age of 15 he decided to leave home to travel with the band of Bee Palmer, which soon became the nucleus for the New Orleans Rhythm Kings. The Rhythm Kings became (along with King Oliver's band) one of the best regarded hot jazz bands in Chicago in the early 1920s. Many considered Roppolo to be the star. His style influenced many younger Chicago musicians, most famously Benny Goodman. Some critics have called Roppolo's work on the Rhythm Kings Gennett Records the first recorded jazz solos.

After the breakup of the Rhythm Kings in Chicago, Roppolo and Paul Mares headed east to try their luck on the New York City jazz scene. Contemporary musicians recalled Roppolo making some recordings with Original Memphis Five and California Ramblers musicians in New York in 1924. These sides were presumably unissued, or if issued unidentified.

Roppolo and Mares then returned home to New Orleans where they briefly reformed the Rhythm Kings and made some more recordings. After this Roppolo worked with other New Orleans bands such as the Halfway House Orchestra, with which he recorded on saxophone.

Roppolo exhibited ever more eccentric behavior and violent temper. This was finally too much for his family to take, and Leon was committed to the state mental hospital in 1925. Some writers have speculated that he was suffering from tertiary syphilis.

In his later life, Roppolo, looking old and feeble far beyond his age, would come home for periods when a relative or friend could look after him, and he would sit in with local bands on saxophone or clarinet.

Leon Roppolo died in New Orleans at the age of 41, and is buried in Woodlawn Cemetery, within sight of the old Halfway House building where he played for years.

Albert Brunies c, dir / Joe Loyacano tb / Leon Roppolo cl, as / Charlie Cordella cl, ts / Mickie Marcour p / Bill Eastwood bj / Leo Adde d.

Recorded in New Orleans on January 22, 1925.








Anthony Parenti & His Famous Melody Boys - Victor 19697 (1925)

Here's Tony Parenti's second recording as a leader. (The first can be heard here)

Accompanying on cornet for this (and the next day's session) was, Albert Brunies, the leader of another New Orleans outfit, The Halfway House Orchestra.

Tony Parenti cl, as, bar, dir / Albert Brunies, Henry Knecht c / Charles Hartman tb / Tony Papalia ts / Vic Lubowski p / Mike Holloway bj / Mario Finazzo bb / George Triay d.

Recorded in New Orleans on March 23, 1925.



The Halfway House Dance Orchestra - Columbia 1041 (1926)

Here's another New Orleans group in the same vein as a few others I have posted in the past such as Brownlee's Orchestra of New Orleans and Monk Hazel and His Bienville Roof Orchestra.

Albert Brunies c, dir / Charlie Cordella cl / Glyn Lea 'Red' Long p, v / Angelo Palmisano bj / Chink Martin bb / Emmett Rogers d.

Recorded in New Orleans on April 13, 1926.