Sexteto Habanero - Victor 80272 (1927)

What this one lacks in fidelity, it makes up for in a wonderful remnant store sticker.

Recorded at Liederkranz Hall in New York October 20, 1927.

Sexteto Habanero - Victor 81569 / 81624 / 81751 (1928)

This post contains my whole collection of a whopping three Sexteto Habanero 78s...would really like to add that total.

Each was recorded at Liederkranz Hall in New York between May 29 & 31, 1928.

Victor's records show 7,152 records were sold.

This one was found along Florida's 'Space Coast,' it has the original store sticker showing that it was initially purchased in Havana, Cuba.

6,798 units were sold.

Recorded in New York on May 31, 1928.

4,820 were sold.

Sexteto Habanero - Victor 81751 (1928)

Recently got a tip on some 78s that had been in storage for decades and eagerly went to check it out.

Although most were common, there was an album of Latin records. Most were 40s and 50s but three ranged from 1928-1931 and were Cuban.

From Wikipedia…

The Sexteto Habanero was a famous Cuban musical group which was founded in 1920. It played an important part in the early history of the son.

In 1917 four musicians from Oriente, calling themselves Cuarteto Oriental, recorded four numbers for Columbia Records in Havana. The numbers are listed in a Columbia catalog for 1921, but are probably lost. However, the same group expanded to a sextet in 1918, and were recorded by Victor Records in a field recording at the Hotel Inglaterra in Havana. At least one of these records has survived, giving two numbers, which are probably the first surviving sones. The new grouping called itself Sexteto Habanero in 1920.

Its line-up was: Guillermo Castillo (guitar and director), Carlos Godínez (tres), Gerardo Martínez (voz prima y claves), Antonio Bacallao (botija), Oscar Sotolongo (square bongó) and Felipe Nerí Cabrera (maracas).

Sexteto Habanero 1920

The instrumental set-up is interesting, because they use some of the original instruments of the son: the botija and a unique square bongó. Soon this (and other) groups appreciated that the double bass was a musically more suitable instrument: they never went back to the botija. Five years later, the group had new members and a different look. Agustín Gutierrez (bongó), Abelardo Barroso (sonero, claves), Felipe Nerí Cabrera (maracas, vocals); Gerardo Martínez (double bass, vocals, leader); Guillermo Castillo (guitar, vocals), Carlos Godínez (tres, vocals).

Sexteto Habanero 1925

The group's recordings in New York 1925-26 are available on LP and CD. The music is of high quality, considering the technical limitations of the time; the group won first prize in the Concurso de Sones in 1925 and 1926. When the group added a cornet, soon replaced by a trumpet, it became the Septeto Habanero. This latter line-up lasted until the late 1930s, when sextetos were ousted by conjuntos and big bands. The leader, Gerardo Martínez then formed a new group, Conjunto Típico Habanero.

Recorded in New York on May 31, 1928. (4,820 were sold)